- SYNTHETIC APERTURE COLOR FINESSE PRESETS LOCATION 2015 PRO
- SYNTHETIC APERTURE COLOR FINESSE PRESETS LOCATION 2015 SOFTWARE
But clients expect their “3D” logos and titles to be chunky (often too chunky) rather than paper-thin – the web-influenced “dimensional flat” look notwithstanding. One result of this is that as view them from their sides, they disappear. Problem: After Effects’ implementation of 3D space is often referred to as 2.5D, as the individual layers have no thickness. The first two pages will focus on issues in 3D space, and then we’ll move onto issues such as mask shapes and text.Įxtrusions (and other 3D issues with plug-ins) As we have a personal policy of “you’re not allowed to complain about something unless you are also willing to offer a solution,” we’ll also mention some ideas for cheats and workarounds inside AE, from third parties, and in alternate applications such as Apple’s Motion. Still, there are many features that remain unimplemented or underimplemented – because either resources weren’t available, a new feature caught a programmer’s eye, or not enough people have jumped up and down screaming for the feature we personally want.įollowing are some of the features we’re still waiting for. AE CS3 was (in our opinion) one of the best updates ever for motion graphics artists, and AE CS4 has its charms ( here is our roundup of the new features that caught our eye here is Todd Kopriva’s more comprehensive list).
SYNTHETIC APERTURE COLOR FINESSE PRESETS LOCATION 2015 SOFTWARE
Well, it’s the same for many software tools as well, such as our main tool After Effects. After all, there’s only so much a person can do. You know – we’ve been busy with work, the holidays, and such. Several of us planned to write these, but unfortunately few of us have so far. & X7 ].We had an idea here on PVC that we would make lists of what has been most interesting this previous year, and what we anticipate in the new year ahead. ( $ f5 G4 M8 iĢ 5 ]- Fixed problem with certain screen shapes causing control layout problems (Win). Color Finesse provides accurate luma soft-clipping, as well as color limiting to meet broadcast standards. Q* HSmart Color Limiting and Soft-Clip - Color Finesse's 32-bit floating-point color space allows you to make radical changes in color and luma levels without clipping, but before final output you'll need to bring things back into range. Single Button Color Correction - Color Finesse 3's Auto-Color and Auto-Exposure buttons give one-click access to your color correction starting point, eliminating color casts, improper white balance, and establishing your black and white points.Īutomated Color Matching - Need to match the color in one frame to a color in another frame? Color Finesse provides single-button color matching to provide natural-looking color matches without fiddling.Ģ ~5 a1 b9 h* U2 Y. Each of the six channels defines a color range based on up to four color samples with settable luma and chroma tolerance, and a range softness control, allowing you to easily isolate colors without harsh edges. r( Q4 [3 [ E- ?5 i# wSecondary Color Correction - Want to change the color of a scarf or punch up a bland gray sky? Color Finesse's six-channel secondary color corrector allows you to isolate up to six separate colors which can be adjusted for hue, saturation, and hue offset. Levels control determine input and output black, white, and gray points. Individually adjustable color channel curves (both RGB and HSL) let you define exactly how color levels will be processed. Flexibility is the key to getting just the look you want, and flexibility is what Color Finesse offers with its myriad controls and tools. Control the overall image, or work with individual color channels. Work in HSL, RGB, CMY, or YCbCr color spaces. : f Q) k1 F5 T8 q% u1 v! P% iFlexible Controls - Control the gain, gamma, pedestal, hue and saturation of your images. k& z( X) i: Z( 圜olor Finesse 3 Feature Highlights:
SYNTHETIC APERTURE COLOR FINESSE PRESETS LOCATION 2015 PRO
}% z0 j" x$ g# \3 u% AColor Finesse 3 gives you the high-end color correction and enhancement tools you need as a plug-in for your favorite applications-including Adobe After Effects and Premiere Pro CS5 and later (including CC 2015). % O, q6 c/ B% m! `1 D0 RRequirements: Win32/Win64, Premiere Pro. R( O ? x$ k' X( aHomepage: 3 R0 Y6 B J* e6 [0 ^8 L1 X2 eLanguage: English Program Name: Synthetic Aperture Color Finesse v3.1.10 for After Effects & Premiere ProĤ q: z0 U" P- tProgram Type: Video editing plugins ) D* P0 S" a/ Y1 a# z
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